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A Cultural History of Furniture in the Age of Empire and Industry

Professor Megan Aldrich Christina M. Anderson Dr Elizabeth A. Carroll

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English
Bloomsbury Academic
18 April 2024
The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture.

Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world.

Slavery was abolished and urbanization increased dramatically.

These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction.

Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture.

Drawing upon a wealth of visual and textual sources, this volume

presents

essays that examine key characteristics of the furniture of

the period

on the themes of Design and Motifs; Makers, Making, and

Materials; Types

and Uses; The

Domestic Setting; The Public Setting;

Exhibition and

Display; Furniture

and Architecture; Visual

Representations; and Verbal

Representations.
Contributions by:  
Edited by:   ,
Imprint:   Bloomsbury Academic
Country of Publication:   United Kingdom
Dimensions:   Height: 244mm,  Width: 169mm, 
Weight:   1.000kg
ISBN:   9781472577870
ISBN 10:   1472577876
Series:   The Cultural Histories Series
Pages:   336
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
List of Illustrations Notes on Contributors Series Preface Introduction, Catherine L. Futter and Christina M. Anderson 1. Design and Motifs, M. B. Aldrich 2. Makers, Making, and Materials, Christina M. Anderson 3. Types and Uses, Camille Mestdagh 4. The Domestic Setting: Self, Stories, and Furniture in the Nineteenth-Century, Amy G. Richter 5. The Public Setting, Sylvain Cordier 6. Exhibition and Display, Catherine L. Futter 7. Furniture and Architecture, David Oakey 8. Visual Representations, Caroline McCaffrey-Howarth 9. Verbal Representations: Writing Tables and Reading Chairs - Verbal-Textual-Intertextual Representations of Furniture, Emma Ferry Notes Bibliography Index

Catherine L. Futter is Senior Curator of Decorative Arts, Brooklyn Museum, USA Christina Anderson is Senior Research Associate, School of European Languages, Culture and Society, University College London, UK

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